Brizan Contributes to De Gruyter Handbook of Fashion Marketing
by JBDG | VALSAYN, Trinidad and Tobago | 1 June 2026
Today marks the official publication date of the De Gruyter Handbook of Fashion Marketing (2026 DeGruyter Brill).
Edited by Olga Mitterfellner, the handbook offers a truly multipolar and balanced overview of fashion marketing, covering a field of opportunities and tensions across global markets, generation studies, culture and subculture, luxury, ultrafast fashion, celebrity marketing, digital progress, ownership, law, and many more. The publication is divided into four curated sections that broadly cover fashion marketing from the angles of sociology, diversity and inclusion, luxury studies, and digital technologies.
“I am truly honoured to be a part of this groundbreaking work that has set a new precedent for research, education and marketing in the global fashion industry”, said Jessel Brizan, founder of Jessel Brizan Design Group.
Brizan contributed Chapter 8: ‘Caribbean Fashion Marketing: Defining Caribbean Fashion’, which includes primary research encompassing case studies, surveys and content analysis of various designers, online platforms and influencers.
The chapter examines the evolution, cultural foundations, and marketing dynamics of Caribbean fashion within local, regional, and global contexts. It positions Caribbean fashion within its complex historical legacies of colonization, slavery, indentureship, and migration, tracing how these forces forged a distinct sartorial identity rooted in cultural hybridity.
It argues that Caribbean fashion embodies a vibrant synthesis of African, European, Asian, and Indigenous aesthetics, which has profoundly influenced the global fashion industry. Through theoretical lenses such as material culture, symbolic interactionism, and cultural capital, it explores how fashion functions as a medium of cultural expression, identity construction, and resistance.
Meiling Esau
Meiling 2025 Resortwear Collection ‘Unfurled’
The analysis highlights how diaspora designers—such as Grace Wales Bonner, Martine Rose, and Nicholas Daley—leverage Caribbean heritage to achieve international acclaim, employing strategies of storytelling, authenticity, collaboration, and cultural sensitivity. It further evaluates regional marketing practices, including digital media, influencer engagement, fashion events, tourism, and government-led initiatives to promote Caribbean fashion globally.
Using case studies of designers Meiling Esau (Trinidad and Tobago) and Theodore Elyett (The Bahamas), the chapter illustrates how Caribbean identity, cultural heritage, and narrative branding drive commercial success. Concluding with an assessment of structural challenges, it advocates for strategic innovation to enhance the Caribbean’s competitive presence in the global fashion marketplace.
As a collective volume, the chapters consider implications for the wider industry and society, with ethical considerations woven throughout. As a result, you will find a much-needed, nuanced discussion of research and progress in fashion marketing that
distinguishes itself from classic marketing literature and is both academically rigorous and practical, applicable to real-life scenarios.
The authors of this handbook are leading experts and academics from around the world, carefully selected to each contribute a chapter and to foster a much-needed discourse that fills a gap in the literature. Each chapter carefully curates its content to offer experienced and novice readers an understanding of the background, existing literature, and applications, followed by new approaches, experiments, and perspectives. The handbook includes theoretical studies, experiences, reflections, case studies, and practical applications.
Brizan expressed his heartfelt gratitude, congratulations, and kudos to the editor, Olga Mitterfellner, for selecting him for this groundbreaking project. Mitterfellner was one of his lecturers at the University of Westminster, London, where he completed a one-year MA in Fashion Business Management in 2024.
“This book has set a precedent that will resonate throughout the annals of global fashion”, Brizan added. “I am proud to have represented Caribbean fashion and hope that my insight augurs well for its future.”
Click here to purchase the De Gruyter Handbook of Fashion Marketing.
An individual chapter overview can be found here on VitalSource under Table of Contents.
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June 2026
- 10 Jun 2026 The Evolution of Jessel Brizan Design Group 10 Jun 2026
- 8 Jun 2026 Fashion Is One of the Caribbean’s Most Undervalued Economic Assets 8 Jun 2026
- 1 Jun 2026 Brizan Contributes to De Gruyter Handbook of Fashion Marketing 1 Jun 2026
- 1 Jun 2026 The Global Fashion Industry Has Been Borrowing From the Caribbean for Decades 1 Jun 2026
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May 2026
- 26 May 2026 JBDG set to launch ‘The Business of Caribbean Fashion™’ Series 26 May 2026
- 18 May 2026 Wholesale vs Direct-to-Consumer: Which Is Right for You? 18 May 2026
- 11 May 2026 The Follow-Up Strategy That Turns Meetings Into Orders 11 May 2026
- 6 May 2026 Acknowledging ‘Selling Fashion Collections’ 6 May 2026
- 4 May 2026 The 7 Costly Mistakes Designers Make Before Meeting Buyers 4 May 2026
- 1 May 2026 Brizan Awards the SFC Book Giveaway Prize to Naballah Chi 1 May 2026
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April 2026
- 29 Apr 2026 Jessel Brizan Publishes Third Book 29 Apr 2026
- 27 Apr 2026 Why I Wrote Selling Fashion Collections 27 Apr 2026
- 20 Apr 2026 Total Image Projection: How to Win a Buyer Meeting 20 Apr 2026
- 13 Apr 2026 The Perfect Buyer Meeting Kit 13 Apr 2026
- 9 Apr 2026 How to Research Buyers Before You Pitch 9 Apr 2026
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March 2026
- 30 Mar 2026 What Buyers Really Look for in a Collection 30 Mar 2026
- 24 Mar 2026 How to Create a Line Plan That Appeals to Buyers 24 Mar 2026
- 23 Mar 2026 Mastering Your Pricing Strategy in Fashion 23 Mar 2026
- 16 Mar 2026 Understanding Design Markets: Where Does Your Brand Truly Sit? 16 Mar 2026
- 3 Mar 2026 Creativity Is Not Enough: Why Fashion Designers Struggle to Sell 3 Mar 2026
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February 2026
- 24 Feb 2026 Why Design Structure Is the Backbone of a Sellable Fashion Collection 24 Feb 2026
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October 2025
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September 2025
- 4 Sept 2025 An Affirmation from Louis Vuitton Beauty, Pt. 2 4 Sept 2025
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July 2025
- 27 Jul 2025 JBDG Selected for Showcase at Caribbean Investment Forum 2025 27 Jul 2025
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May 2025
- 7 May 2025 The Blueprint of Fashion Design 7 May 2025
- 3 May 2025 The Five Segments of the Global Fashion Industry 3 May 2025
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March 2025
- 20 Mar 2025 An Affirmation from Louis Vuitton Beauty 20 Mar 2025
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September 2023
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- 3 Sept 2023 Why Companies Value Teamwork 3 Sept 2023
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August 2023
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June 2023
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May 2023
- 31 May 2023 How to Successfully Navigate a Fashion Internship 31 May 2023
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January 2023
- 4 Jan 2023 Made To Wear™ 4 Jan 2023
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September 2022
- 7 Sept 2022 The definitive guide to Caribbean fashion selling seasons 7 Sept 2022
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February 2022
- 3 Feb 2022 Ethos 3 Feb 2022
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May 2021
- 23 May 2021 The Art of the T 23 May 2021
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April 2021
- 28 Apr 2021 I Heart TT™ introduces new merch 28 Apr 2021
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March 2021
- 19 Mar 2021 AUX reveals redesigned logo to mark anniversary 19 Mar 2021
- 11 Mar 2021 AUX introduces digital catalogue 11 Mar 2021
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December 2020
- 31 Dec 2020 2020: The year that was 31 Dec 2020
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October 2020
- 4 Oct 2020 Brizan Publishing launches second publication 4 Oct 2020
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August 2020
- 30 Aug 2020 AUX reveals visuals of proposed concept for Breezes 30 Aug 2020
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July 2020
- 1 Jul 2020 Brizan Publishing issues first publication 1 Jul 2020
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June 2020
- 21 Jun 2020 Brizan Publishing readies for launch 21 Jun 2020
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March 2020
- 10 Mar 2020 I Heart TT gives to Cyril Ross 10 Mar 2020
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September 2019
- 19 Sept 2019 Biography: Jessel Brizan 19 Sept 2019
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June 2019
- 30 Jun 2019 Selling Your Collection 30 Jun 2019
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May 2019
- 26 May 2019 Technical Package Development 26 May 2019
- 19 May 2019 Developing Caribbean fashion 19 May 2019
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March 2019
- 10 Mar 2019 Introducing AUX 10 Mar 2019
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February 2019
- 24 Feb 2019 Philanthropy Through Fashion 24 Feb 2019
- 1 Feb 2019 Celebrate with us! 1 Feb 2019
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September 2018
- 30 Sept 2018 Island Safari Trend Inspiration 30 Sept 2018
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September 2016
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January 2016
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